NY Times: 'Pulitzer Prize-winning photographer Tyler Hicks really sucks at his job'astounding answer.
But according to Eileen Murphy, the Times Vice President for Corporate Communications, the paper’s photographers in Gaza, led by Hicks, are the sole reason for the radical imbalance in the Times photo coverage of the war. Or at least that’s what she told Uriel Heilman of JTA, when he asked the Times to explain why, out of the 37 images that made up the paper’s last 3 slideshows from Gaza, there wasn’t a single image of a Hamas fighter or rocket launch or anything else that might signal to readers that Israel hadn’t simply decided to maim and murder Palestinian children in the coastal enclave for sport.
Incredibly, the first part of Murphy’s answer blamed Times photographers for apparently submitting only a handful of low-quality images:
Our photo editor went through all of our pictures recently and out of many hundreds, she found 2 very distant poor quality images that were captioned Hamas fighters by our photographer on the ground. It is very difficult to identify Hamas because they don’t have uniforms or any visible insignia; our photographer hasn’t even seen anyone carrying a gun.Is this really how a legendary photojournalist like Tyler Hicks operates? Two very distant low-quality images, and nary a sight of a single person carrying a gun in all of Gaza during a three-week long conflict in which over 1500 people have died? If Hicks’ assignment took him anywhere else besides Gaza, one might suspect him of holding up the hotel bar.
The rest of Murphy’s answer provides only a tiny bit of insight into why Hicks’ performance has been so poor:Gee, I wonder why....
I would add that we would not withhold photos of Hamas militants. We eagerly pursue photographs from both sides of the conflict, but we are limited by what our photographers have access to.The key word in the second part of Murphy’s response, of course, is “access.” Tyler Hicks is hardly lying down on the job: He’s doing incredibly hard and dangerous work in a combat zone where photographers are hardly free to take pictures of whatever they want. Which is the key point that Murphy and her bosses are determined to elide.
Read the whole thing.