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Wednesday, October 16, 2013

Your Federation donations at work: Lies trump truth again in Washington, DC

Caroline Glick relates the sad saga of The Admission, a play that is based on lies, and tries to change the narrative we all know in the Middle East.
Israel’s rights and justness are grounded in truth. But today truth isn’t worth as much as it used to be. Those who fight for it find themselves routinely maligned as close-minded extremists. Those who trounce it are congratulated for being open-minded and fair.

Last month Theater J announced its Spring 2014 schedule.

The schedule includes a play called The Admission.

Authored by an Israeli named Motti Lerner, the play is a dramatization of what is euphemistically known as the “Tantura Affair.”

In 2000, Maariv published an article describing the Master’s thesis of a student at the University of Haifa named Teddy Katz. Teddy Katz’s thesis purported to document a previously unknown massacre during Israel’s War of Independence. He alleged that in May 1948 the IDF murdered 250 Arab civilians after winning a battle in the town of Tantura.

The article caused an uproar. Veterans of the battle sued Katz for libel. They won. Indeed, in testimony before the district court judge Katz admitted his thesis was a fabrication.

Katz later recanted his admission and appealed the decision to the Supreme Court. The Supreme Court upheld the ruling that Katz had libeled the soldiers. The university appointed a panel of scholars to review his research materials. They found Katz had fabricated statements he alleged came from interviews with eyewitnesses.

The university cancelled its acceptance of Katz’s thesis.

Had that been the end of that, the “Tantura Affair” – that is, Katz’s blood libel against the IDF – would have been long forgotten. But Katz’s academic supervisor, then-senior lecturer at Haifa and celebrated anti-Israel propagandist Ilan Pappe, refused to let the truth get in his way.

Pappe rewrote the history of the “Tantura Affair.” In Pappe’s telling, Katz heroically revealed the truth about the evil core of the Jewish state, and was then persecuted for going against Zionist orthodoxy.

...

For his part, Lerner, who has dramatized Katz’s blood libel, was quoted by The Washington Post saying that his purpose wasn’t to tell the truth, either. “The play is trying to suggest that these historical memories [of what happened at Tantura] have to be explored and revised continuously in order to create a solid basis for reconciliation between the two people.”

The “revised” – that is, false – memory Lerner seeks to create serves a clear purpose. By portraying the Jews as murderers and as the aggressors in 1948 and the Arabs as their victims, he wishes to convince everyone that it is okay for the Arabs to continue seeking Israel’s destruction, and for the world to keep pressuring the Jewish state for more unilateral concessions. Only if justice is solely on the side of the Arabs is it possible to promote “compromises” in which the Jewish state makes endless concessions to the Arabs, and in return receives terrorism, war and hatred.

The true history of Israel’s War of Independence in which local Arabs, assisted by invading Arab armies attacked the Jews of Israel with the declared purpose of annihilating them, is inconvenient for the likes of Lerner and Pappe. They have no use for the fact that every area conquered by the Arabs was rendered Jew-free, by massacre or expulsion. They certainly don’t want anyone to know about the heroism of Jews who defended themselves and their nascent state, and prevailed, albeit at great cost.
If you live in the Washington DC area, your Federation donations are funding Theater J. Makes you want to send your money elsewhere, doesn't it? 

Read the whole thing.

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