Israel Matzav

Al-Dura and the 'public secret' of Middle East journalism

At Pajamas Media, Richard Landes has a must-read article on the staged death of Muhammed al-Dura. The original France 2 tapes are to be played before a French judge this Wednesday, and the entire fraud may be exposed.

We may have stumbled here onto the very nature of public secrets and the value of a good reputation: everyone can cheat so long as no one is caught. It’s okay for the insiders to know, but the effectiveness of the (mis)information depends on the public not knowing. As Daniel Leconte reproached Eppelbaum: “the media may know [about this staging], but the public doesn’t.” Indeed, the public must not know. CNN advertises itself as “The Most Trusted Name in News,” not because it struggles against the influences, like access journalism, that destroy trustworthiness, but because it knows how important trust is to their audience public consumers of news. Thus, even if Western journalists use staged footage regularly, they cannot admit it. And, if denial doesn’t work, then, apparently, the next move is to say, “it’s nothing; everyone does it.”

An incident at Ramallah, however, suggests that Western journalists have systematically submitted to Palestinian demands that they practice Palestinian journalism. On October 12, 2000, to cries of “Revenge for the blood of Muhammad al Dura,” Palestinian men tore to pieces the bodies of two Israeli reservists. Aware of the potential damage, Palestinians attacked any journalist taking pictures. And yet, one Italian crew working for a private news station, at great risk to their lives, smuggled out the footage. Eager to avoid being blamed, the representative of Italy’s “official television station RAI” wrote to the PA that his station would never do such a thing,

…because we always respect (will continue to respect) the journalistic procedures with the Palestinian Authority for (journalistic) work in Palestine…

Just what are these “journalistic procedures”? Do they resemble the rules of the Jakarta charter, including the censorship of anything damaging to the Palestinian cause (no matter how true), and publication of anything damaging to the Israeli cause (no matter how inauthentic)? The PA, apparently unaware that this is not how journalism should be done in the West, published the letter.

But on the side where modern journalism allegedly reigns, such revelations were profoundly embarrassing: even the normally timid Israeli government “temporarily suspended” the press card of Roberto Cristiano, and no one in the normally aggressive Western media objected. Cristiano had violated the basic rule of Western journalism’s omerta, and openly admitted shameful practices. The public consumer of Mainstream Media (MSM) “news” needs to ask, “How many journalists adhere to these Palestinian rules, and how much does that adherence distort, even invert, our understanding of what goes on in this interminable conflict? Can we afford this “public secret”?

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Palestinian journalists, in their own ethical declarations, argue that their role is to defend their cause and weaken its enemies. Journalism for them is war by other means; the media, a theater of war. Honesty and fairness do not intrude on this ethical prescription, but merely present a requirement for versimilitude designed to deceive susceptible Western audiences and incite Muslim rage.

In this clash of journalistic cultures, how often has the Western media played the “useful idiots” to Palestinian demands. How often have they presented Palestinian “truths” to us as “news”? And if they have done so as often and as destructively as Pallywood and its greatest success, the Al Dura Affair, suggests, how much longer will they persist?

By the way, the picture at the top left of this post comes from Ramsey Clark's website and represents one of the most disgusting uses of al-Dura: It seeks to forgive Europe for allowing six million Jews to be murdered because of al-Dura. Read it all.

posted by Carl in Jerusalem @ 11:58 PM